’m not sure why “terrain” is among my random thoughts. I think it’s about location. I’m always randomly wondering about my own position in the terrain — whether it’s geographic, intellectual, philosophical, aesthetic, etc. What is the “lay of the land?” What am I missing? For what am I equipped?
Next I move to a social terrain. Ever since I wrote “Dinner Parties I’ve Ruined” (Olive: Issue 1), I have been searching for guidelines to navigate the social terrain of dinner parties. Quite to my surprise, I discovered that the 19th century philosopher, Immanuel Kant, has provided an outline with instructions!
Then, of course, there is aesthetic terrain in which I continue my fascination with five-line poems — adding the cinquain to limericks, haikus, and acrostics. Although, theoretically, any five-line poem can be a cinquain, the unrhymed cinquains in this issue use the syllabic configuration of 2-4-6-8-2.
Finally, in Friends of Judy, we have the early 20th century poet, Adelaide Crapsey, who created the 2-4-6-8-2 cinquain rhyme scheme. Her life was not that cheery, and neither are her three cinquains that I’ve included here. Still, a new Friend of Judy.
Hope you are up for navigating the “Terrain” in the June issue of Olive: Random Thoughts.