Olive
Terrain
Edited by Judy Green
issue no. 11
Contents – September 2025
Stylized retro illustration of a woman with pale skin and white hair wrapped in a bun, wearing black sunglasses and a black turtleneck, sitting at a desk covered in papers, a coffee mug, and a football. Behind her is a vintage TV showing an American football game, with abstract mountain shapes and flying paper sheets forming the background. The scene blends mid-century modern aesthetics with surreal elements.
Stylized illustration of a person with short hair and sunglasses sitting indoors, looking out a window at a house in a golden field under a starry sky.
Colorful illustration of an older woman with short blonde hair and glasses, wearing a patterned blouse and a pendant necklace, standing with arms crossed against a yellow and teal halftone background.
Surreal illustration of an open book with aged pages exploding outward into fragments against a flat blue background, as if the contents are bursting free into space.
Vintage-style portrait of a woman in red looking suspiciously over her shoulder, flanked by two stern older men in suits, with a faded beige and teal color scheme.
Editorial
Stylized retro illustration of a woman with pale skin and white hair wrapped in a bun, wearing black sunglasses and a black turtleneck, sitting at a desk covered in papers, a coffee mug, and a football. Behind her is a vintage TV showing an American football game, with abstract mountain shapes and flying paper sheets forming the background. The scene blends mid-century modern aesthetics with surreal elements.
Letter from the Editor
I

t’s possible that you will find my random thoughts on Drafts a little too random and far too drafty. I’ll admit that I wrote the “letter from the editor” after completing the table of contents. And then rewrote it again after seeing the artwork. So, you’re reading the third or fourth draft on Drafts.

But maybe that’s what happens with works in process. To paraphrase Jane Smiley, one could say that drafts are good just because they exist. Or, in line with Dan Pink, that drafts are prone to disappointment, which is why there could be endless drafts. Or as the “others” say, drafts have their own inner logic and rarely end up as expected.
Drafts
A Draft on Drafts
By Brenda
Pop art–style illustration of a woman in a red dress with a white collar sitting at a table, resting her chin on her hand with a frustrated expression. She is surrounded by piles of crumpled paper, suggesting writer’s block or creative frustration, with a textured yellow background behind her.
“T

his is just a draft.” I love that phrase. It is my favorite little lie. I say it all the time, usually with an apologetic shrug or a self-effacing laugh, as if I accidentally sneezed out a few paragraphs between roasting a chicken and quietly stalking my local parking warden. Of course, it is nonsense. I have obviously made an effort and have put hours into the thing, fiddled with it until the fiddling became a form of avoidance. There is nothing casual about this. But by calling it a draft, I create the illusion that I am both capable and humble.

Let us be clear: I am not talking about the vomit draft. That is as real as Bigfoot. I am talking about what we send. The thing we actually call a draft is something we have already half fallen in love with yet still offer caveats to pre-empt criticism. “Oh yes, I know it needs work. That bit in the middle? I am aware and meant to fix it.” The disclaimers are our insurance policy against shame. It is a way of saying, “This might be good, but do not hold me to it.”
Drafts
Others’ Thoughts on Drafts
Literary Drafts
Pop art–style portrait of a man with glasses, wearing a suit and tie, with a calm, confident expression, set against a bright orange halftone background.
“Most times, I’ll just sit there, suffer, write shitty sentences, and hope I can make the next draft less putrid.”

Daniel Pink
Colorful illustration of an older woman with short blonde hair and glasses, wearing a patterned blouse and a pendant necklace, standing with arms crossed against a yellow and teal halftone background.
“Every first draft is perfect because all the first draft has to do is exist. It’s perfect in its existence. The only way it could be imperfect would be to NOT exist.”

Jane Smiley
Highly detailed illustration of an older man with curly hair and a thick mustache, wearing a suit and tie, with a weary expression and a split blue and yellow background.
“We have to continually be jumping off cliffs and developing our wings on the way down.”

Kurt Vonnegut
Cinquains
Collaborative Cinquains on Drafts
Surreal illustration of an open book with aged pages exploding outward into fragments against a flat blue background, as if the contents are bursting free into space.
Torn from the Spine

So long
Torn from the spine
Watch cast-off words tumble
Over our teeth, stained by wine
Obscure.

Authors: Brigett Owens, Miles Lewandowski, Karen Shea, Alex Hayward, Cullen Browell
Friends of Judy
The Inanity of Lost and Found Offices
By Asher Noor
I

f I lost an item, the last place I would probably check, would be the lost and found office. It will start with a frantic search on my body, replaying in my mind the last time I had the item on me, retracing my steps and calling my wife and kids to see if I hadn’t forgotten it at home. It would end with me calculating the impact of the loss and asking myself if I could buy, replace, duplicate, or survive without the item?

Inexplicably though, at no stage would it cross my mind to look around for a Lost and Found office to go and see if it’s been handed in. However, when I got pick-pocketed at the train station, on the insistence of the hotel manager, the next day I went to the Amsterdam Centraal’s Lost and Found.
Olive
issue no. 11