Olive
Pointless
Edited by Judy Green
issue no. 8
Contents – December 2024
Stylized illustration of a person with short hair and sunglasses sitting indoors, looking out a window at a house in a golden field under a starry sky.
A retro-style illustration of a woman in a yellow blouse and checkered skirt, wearing headphones, standing in a gallery room with walls covered in framed artwork. She is surrounded by butterflies in mid-flight, adding a whimsical element to the scene.
A retro-style illustration of a boy joyfully leaping over a tall candle with a flame, set against a bold red background with sparkling stars surrounding him.
A vibrant retro-style illustration of a large, ripe tomato with a green stem, set against a warm background with a circular glow, highlighting the tomato's rich color and texture.
Editorial
Stylized illustration of a person with short hair and sunglasses sitting indoors, looking out a window at a house in a golden field under a starry sky.
Letter from the Editor
F

or reasons I cannot quite explain, I’m interested in things and behaviors that are “pointless.” Some are:

  • Spatial: Think spheres, Doric columns, arches, globes, certain geometric forms, the universe
  • Predispositions: In my case, I am predisposed to buying, smelling, and using cosmetics. So enticing — and so pointless.
  • Mindsets: Trying to keep some distance from people who argue to “make a point,” often trying to convert someone to another point of view.
clarity
An essay on “Listening to Art — Yet Again”
A woman in an orange dress stands in a dimly lit art gallery, facing a teal-colored wall with framed artwork. She wears headphones and appears to be intently observing the artwork, which consists of portraits and abstract figures. Warm light casts shadows across the floor, creating a serene and contemplative atmosphere.
F

or years I have been perplexed by art galleries and museums offering headsets to people coming to exhibits – a phenomenon I call “Listening to Art.” Or why turn a visual experience into a mediated lecture?

It’s frustrating to be in a gallery where the pace of viewing is governed by the length of an audio clip! Plus a dogged determination by the listener/viewer to stand in front of, or in the midst of, the aesthetic experience until the audio is finished.

Here’s an example: Some years ago, I visited a Damien Hirst exhibit at the Tate Modern. One of the exhibits included a room with paintings of butterflies, accompanied by living and expiring butterflies. Forty-nine people were admitted to the exhibit at any one time. In my group, I was struck by how many people rented the headset, dutifully concentrating on the recorded words – all the while quite oblivious to the butterflies flying and dying around them.

Rhymes
Mother Goose Rhymes: Jack and Jill — Then and Now
Abstract shapes
A retro illustration of a young boy, reminiscent of Little Jack Horner, sitting at a table with a cherry pie, excitedly holding up a spoon, with festive holly accents in the foreground.
Mother Goose published in 1725 in “Namby Pamby”
Little Jack Horner sat in the corner
Eating his Christmas pie,
He put in his thumb
And pulled out a plum
And said, “What a good boy am I.”
A retro-style illustration of a sophisticated woman sitting in a chair, holding a drink, next to a decorated Christmas tree. The woman wears a red dress and has an elegant pose, capturing a vintage holiday atmosphere.
Olive published in “Olive: Issue 8”
Christmas Day and a grown-up Jill Horner
Was sipping on holiday rye,
Enjoying the smell
And the bourbon as well,
She sighed, “What a good girl am I.”
Friends of Judy
Poems
By Authors from Writers Without Margins
A retro illustration of a cozy red-brick house covered in snow, nestled in a snowy landscape with towering mountains in the background, conveying a peaceful winter scene.
CLARET
by Cullen Browell

Rainshadow, out-of-sight, somewhere between
Where the leaves fall and far before their bloom.
A personality and demeanor of winter: Central Colorado.

A red brick rolodex in the Rockies,
There is fun to be had within the mountains’
Angled roofs, each corner, peak and trough.

The center house’s backyard taxis in and out
The groutfit days of Denver, whatever there is to
Say about it.

Olive
issue no. 8